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Saturday, March 17, 2018

Happy St. Patrick's Day - from Experiencing L.A.

St Patrick, the historical figure - rather than the contemporary celebrations based around him - doesn't have much to do with experiencing Los Angeles, but I enjoyed this video - and today was a good day to share it. 

Saturday, March 3, 2018

Grand Central Market revisited

In September 2016, my wife, teenage kids, and I were back in Los Angeles on a Sunday morning, connecting with friends from our old church. We took some extra time in the afternoon to see the Broad Museum in Downtown L.A.. Here's a link to some photos of The Broad and our time there.

Despite the presence of some L.A. food trucks in front of The Broad, we decided to walk a couple of blocks to the Grand Central Market. 

My wife, kids and I had been to the Grand Central Market a couple of times the years we lived in Los Angeles (here's a link to a previous visit back in 2010). That is, before it was "discovered." We were curious to see if and how it had changed. 

Wow. Sunday afternoon - and it was packed.

The original building opened in 1905 and housed a department store (called the "Ville de Paris"). In 1917 the Grand Central Market took over the space and has been there ever since. 

Since as long as I can remember, Grand Central Market has had a working class/immigrant vibe and feel. It always felt like a time machine and reminded me of a place my grandmother - herself an immigrant from Poland - would have enjoyed. 

Much of the Grand Central Market looked exactly how it remember it - from my first visits there in the 1970's. You can find fresh fruit, vegetables, and meat. 

It always surprised me that people actually shopped for groceries here. I never ventured beyond the food counters. 

Yet, like other parts of Downtown Los Angeles, Grand Central Market has experienced significant changes since our family's last visit in 2010. 

According to this article in Los Angeles Magazine, starting in 2013 Grand Central Market has replace over half it's food stalls. Of the 38 vendors, 23 are new. 

New, and upscale (read: gentrification). "Sticky Rice" is an example of one of the new - and obviously popular - vendors. These new vendors have attracted new customers. A lot of new customers. 

Not all the vendors are new. Tomas (Tacos Tumbras a Tomas) has been around as long as I can remember. I took my dad here back in the 1990's. Good times. There was no formal line - just a crazy, huge crowd of people inching toward the front. Today, there's organized lines (in this case just to the left, our of view). 

Speaking of crowds, everything was packed the Sunday afternoon we were there - so my son just settled for a smoothie. Mostly because we wanted something quick and to go.  

Another new arrival: Ramen Hood - 100% Vegan. 

The last time we were here, I took my kids to this stall for inexpensive ice cream. The new vendor is selling upscale coffee. 

Growing up on the "westside," Downtown Los Angeles felt far away and the occasional visit to the Grand Central Market was an adventure. Most of my friends never ventured past Westwood Village, which was really hoping back in the '80's, They had no idea what the Grand Central Market even was.  

As a Christian, it's my desire to integrate my faith into life. Not just the "spiritual" parts of my life, but every aspect - even what might seem mundane. That said, I've tried to find articles on a Christian perspective on gentrification. As gentrification is often associated with displacing the ethnic minorities from their neighborhoods, it's - understandably - seen negatively. I'm far from any sort of expert, but a link to a previous post with some of my own thoughts on gentrification. 

There are negative aspects to gentrification. Many of the long time vendors at the Grand Central Market spent decades building a client base had to relocate - if they could find a place at all.

But Downtown, and the rest of Los Angeles, is changing. Grand Central Market is no longer what columnist Jesse Katz called a "struggling discount bazaar" - and has suddenly become hip, popular, and very crowded. Tens of thousands of new residents have move into Downtown - into formerly vacant historic buildings, or new apartment buildings built on parking lots. At least in Downtown Los Angeles, few residents, if any, have been displaced. 

Honestly, Downtown has struggled to for over half a century to be the "city center" for all of Los Angeles. It's still far from there. But, after half a century of trying to find it's place, the momentum seems to be in that direction. Which, in my opinion, is a good thing. 

Again, this was back in September 2016. Walking back up Bunker Hill to our car, we passed Angles Flight - Los Angeles' beloved historic funicular. But at the time, it wasn't feeling very loved. It had been sitting like this, inoperative and neglected, for over three years. By September 2016, when were visiting, it was covered with graffiti.

Really? Fortunately, a cameo appearance in La La Land got the city to get moving on this, and Angels Flight finally reopened in late August 2017. Here's a link to a previous post with with some additional photos. 

More next time. 

© 2018


Saturday, February 17, 2018

The Broad Museum, Part IV

In September 2016, my wife kids and I were in Los Angeles and had time to spend a couple hours at the Broad in Downtown Los Angeles. Here's a link to Part I, Part II and Part III from the past few weeks. Above, Jeff Koons' Tulips. 

The Broad  (rhymes with Road) is a private museum, named after it's benefactors, Eli and Edythe Broad, and opened to the public on September 20, 2015. Admission is free. If you go, we strongly recommend getting reserved tickets, which saves waiting in line to get in.

The expansive third floor gallery, with Jeff Koon's Balloon Dog (Blue) in the distance. 

This is looking back down the escalator, which is one way - taking guest from the first floor entry directly to the third floor. 

There are stairs and elevators to head down to the first floor. On the way down, on  the second floor, we noticed a hand on art studio for kids. 

My kids, at the time 16 and 14, are a bit too old for working on art projects in the museum, but it was still cool to see parents and kids enjoying making projects together. 

The second floor also has a window into the art storage area - with a reminder of just how much artwork The Broad actually has. Only a portion of their collection is on display at any given time. 

"Exit through the gift shop." Yes, there's a gift shop on the first floor towards the exit. 

Another view of gift shop. 

This is looking out through one of the massive glass windows at the outside shell. 

According the the wikipedia article, "the building design is based on a concept entitled "the veil and the vault". "The veil" is a porous envelope that wraps the whole building, filtering and transmitting daylight to the indoor space. This skin is made of 2,500 rhomboidal panels made in fiberglass reinforced concrete supported by a 650-ton steel substructure. "The vault" is a concrete body which forms the core of the building, dedicated to artworks storage, laboratories, curatorial spaces and offices.

Another look at the entry lobby, next to the gift show. You can see the elevator, which goes directly from the first floor up to the third floor. 

Andy Warhol Campbell Soup artwork - on skateboards. These boards are designed to look at, not to ride. 

Last look at the gift shop. Even if you're not a huge fan of modern art, the building alone is worth a trip. 

A final look out front on the street, with a couple of obligatory L.A. food trucks out front. I generally love food trucks, but will admit that they really detract from the look and feel of the building. 

Here's a link to some additional exterior photos of The Broad from a previous post (from an earlier visit). 

Despite the food trucks out front, we wanted to check out the Grand Central Market, a couple of blocks away, which my wife and kids hadn't been to since 2010, before it was "discovered." More on this next time

© 2018


Saturday, February 10, 2018

The Broad Museum, Part III

In September 2016, my wife kids and I were in Los Angeles and had time to spend a couple hours at the Broad in Downtown Los Angeles. Here's a link to Part I and Part II from the past couple of weeks. Above, my wife, kids, and I in front of Jeff Koons' Balloon Dog (Blue). 

Above, artist Robert Therrien's Under the Table. One of Therrien's other works was the "Stack of Places" (technically, calle "Untitled") located at the museum entrance. 

My kids - then 16 and 14 - thought Under the Table was really cool. 

Some other museum guests enjoying Under the Table helps give a sense of scale of the table and chairs. According the The Broad's website: 

In Under the Table, the viewer is both in the world of imaginary giants and in the world of remembered childhood. Fusing Alice in Wonderland with the Duchampian tradition of the readymade, Therrien constructs a doppelganger from an everyday object, both displaying his visual wit and actualizing literary or imaginative fantasy in three-dimensional space. The table exudes an extraordinary aura, compelling one to walk underneath the table and conjuring the physical memory of being under the table of one’s childhood home. Complicated and powerful, the work offers fresh ideas of what a table, sculpture, and memory can mean.

Another photo, with numerous visitors around Under the Table. 

More artwork: Roy Lichtenstein's 1991 Interior with African Mask.

Barbara Kruger's 1989 Untitled (Your Body is a Battleground).

Looked and looked, but I - unfortunately - can't find the title or artist. 

Yes, this is simply black paint on a canvas. 

Another view of Jeff Koons' Tulips.

Another view of one of the third floor galleries. 

I'm looking forward to (eventually) reading Daniel A. Siedell's God in the Gallery: A Christian Embrace of Modern Art. For a variety of reasons, modern art has a less than stellar reputation among many of my fellow Christians. 

Do I like everything in The Broad? No, of course, not. But I'd be hard pressed to find a museum where I like everything on display. I also recognize my personal understanding of art if fairly limited. 

In front of of Jeff Koons' Tulips. Colorful. Creative. Whimsical. And, yes, a tremendous amount of skill. 

Takashi Murakami's 2011 Of Chinese Lions, Peonies, Skulls, And Fountains.

Barbara Kruger's 1995 Untitled (You Are a Very Special Person). 

Lari Pittman's 1995 Like You 

A final look at Jeff Koons' Balloon Dog (Blue). 

More next time. 

© 2018

Saturday, February 3, 2018

The Broad Museum, Part II

In September 2016, my wife kids and I were in Los Angeles and had time to spend a couple hours at the Broad in Downtown Los Angeles. Here's a link to Part I from last week. Above, Jeff Koons' Tulips (1995-2004). 

Admission is free - but we highly recommend getting a ticket ahead of time, to avoid waiting in line. Info can be found here

The Broad features 50,000 square feet of gallery space with artwork from two hundred different artists, including: 

Ellsworth Kelly's 1968 Blue Red. 

Ellsworth Kelly's 1970 Green Angle. 

Ed Ruscha 1964 Norm's, La Cienega, on Fire. 

What constitutes art? My daughter's expression was how we both felt about Cy Twombly's 2006 The Rose (V). 

Then, of course, there's Joseph Beuys' 1972  Silberbesen und Besen ohne Haare (Silver Broom and Broom without Hair). I'm guessing they had to tell the custodial staff that, yes, this is art ... don't use them, or throw them out. 

Here's four different works by New York based pop artist Roy Lichtenstein (1923-1997):

1962 Live Ammo (Blang) 

Rouen Cathedral, Set 3 (1968-1969). 

Mirror #1 (1969).

I...I'm Sorry! (1965-66).

I actually really enjoyed  At a First Aid Center in Vietnam (1971). Artist Malcolm Morley's turned photographer Larry Burrow's 1966 photograph into an equally moving oil painting. 

Weird. Jeff Koons' Michael Jackson and Bubbles (1988) was just weird. Koon's work is a larger than life porcelain statute of the King of Pop - and his pet chimpanzee, and is part of Koon's "Banality Series." Three identical versions were created, with one selling for $5.6 million in 2001. 

Another piece by Jeff Koons, this one much more whmiscal and fun: Balloon Dog (Blue) (1994-2000). Similar to his Tulips, what looks like a latex balloons is mirror-polished stainless steel with transparent color coating. Really cool. 

Both my kids enjoying Balloon Dog (Blue). Plenty of Instragram photos on their part. 

How much is this worth? No idea, but in 2013, a similar work Balloon Dog (Orange) sold for an incredible $58.4 million, making it the most expensive work by a living artist ever sold.

My wife, kids, and I in front of Balloon Dog (Blue).  

More next time.

© 2018